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Sal Cuddihy and the Curse of the Fairy Lights

From Sal Cuddihy

Since starting with the Curatorial Team almost 3 years ago, the amount I have learned and the people I have had the opportunity to work with has been invaluable to how my life has unfolded. The Stove creates a space for growing and nurturing whether it be people or ideas, and it’s safe to say I have came a long way since the nervous person sitting on the interview chair babbling about fairy lights.

I had a little experience working with the Stove before joining the Curatorial Team; the first interaction I had was with the Environmental Arts Festival. I have a background in being involved in local events and was pointed in their direction as a volunteer by Sleeping Giants, a partner of the Stove. Not quite sure what I had got myself into, I ended up meeting a group of extraordinary people who had created a community and used their creativity to produce an event that had reached me like no other had in my previous experience. I actually cried after the end of that project, the thought of going back to my usual day-to-day pub work filled me with dread and not knowing when the next opportunity would be.

EAFS 2015 at Morton Castle

The advert came up for the CT position and I thought there wouldn’t be a chance in hell that I would get the job but it would be good to throw my name in the ring for experience. I got an Interview… (How I have no idea but I did!) In the Interview, Fairy Lights were mentioned A LOT. I had resigned myself to “well you gave it a shot at least”. Now I’m not entirely sure if the existing team were within their right minds or, like myself, had no idea what they had gotten themselves into, but that day changed my life.

From there I went on to focus on the events and expand my practice with community work. Nithraid Festival has been the biggest part of my role here and has taught me so much that I had previously taken for granted as until then I was always brought in later to an events delivery. Being the project manager and planning from the very ground up has given me priceless knowledge, sometimes through trial and error, of working with the local community and authorities to deliver a festival that has grown along with myself into something I am proud of.

Nithraid River Festival 2018

Another part of the job that I loved working with was health as a subject be it physical or mental health. I created a project called the Light Room in October 2016 that entailed tackling prejudice, working with a diverse range of groups and a lot of (you guessed it) FAIRY LIGHTS. After that and the curse of the fairy lights you will be glad to know I learned my lesson – and the event opened my eyes to how we can use art to get conversations happening. That was what being part of the team did, you have a group of people with all different ranges of expertise and they will help you work through a project or idea. Even when you have been up a ladder for 5 hours and are tangled in a mass of cables they will be up those ladders with you. It’s not just for those that join the CT, every person that comes into the Stove with an idea are guided on how to do it them selves, and not “we will do it for you”.

Every experience has been a huge learning curve and not one day is the same – that is what I will forever treasure working as part of the CT and any time I think, ” What have I got myself into now?” I welcome it.

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A huge and special thank you to Sal for her sterling work the past two and a half years on our Curatorial team, but don’t worry – Sal isn’t going anywhere just yet, you can still find her in the Stove managing room bookings and events production, and as Project Manager on Nithraid – coming up this year on the 31st of August!

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Musings News

Quest 3 at SUBMERGE

“Quest” is an ongoing environmental Quest by artist Jan Hogarth which explores our relationship with environment, land and water. Jan’s working practice grows out of a deep love of the land (in the broadest sense of the word, by land I mean water, trees, animals, mountains etc), an empathy for it and a deep desire to heal it. Jan has been working with Sheila Pollock who is a practitioner in the healing arts for over 30 years. And invites others who love the land to become involved in the environmental Art Quests.

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In Celtic tradition healing wells, springs and the sources of rivers were thought to have healing and sacred properties.

“Quest” explores rituals and the truths behind ritual to create and invent new environmental Art rituals that seek to heal the environment. The idea of looking for the source of the Nith came from a local rumour that the Lynors from Dumfries Guid Nychburris took spring water from the source of the Nith and carried it with them when they rode the boundaries of the town. Myself and my friend Sheila who has been working in the healing arts went in search of the source of the Nith which is at Dalmelington in Ayrshire and found an environmental massacre in the form of open cast mines and landfill sites there with no access to the source due to the open cast mine operators. It was shocking how could you heal this river when the source was an example of how we take from the land with no empathy for our own energy consumption? This seemed to be a metaphor for the wider climate change problem. The problem is us and out lack of love for the non human, our lack of reverence for nature, water and the land.

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Sheila has worked with Jan on the Quests project and has been looking at the energy of water and its places and exploring how to lift that energy, how to lift the vibration. Having dowsed there is evidence that the vibration was raised in the water she has worked on in Quest 1 and that improvement has remained. The Nith is a huge challenge because of its source in a open cast mine. Sheila and Jan will be talking about this on Thursday evening at the Stove about our work.

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Jan’s install in preparation for SUBMERGE

Quest is a part of SUBMERGE, an exhibition as part of ArtCOP Dumfries, which runs daily from 10-5pm until Saturday, 12th December.

Jan and Sheila will be talking about Quest as part of A Question of Scale, on Thursday 10th December from 6pm.

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News Project Updates

The Lands of EAFS

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Environmental Art Festival Scotland (EAFS) is an international biennial of contemporary art practice in the landscape.

The Lands of EAFS reached out from the main festival village site at Morton Castle out into the Lowther Hills (South West Scotland), and were mapped by Andrew McAvoy for the festival. Artworks, installations, and guided walks and expeditions took visitors out into the landscape to make new discoveries and follow new routes. One of the festivals themes, on journeys and migrations encouraged alternative means of transport, from horse, to kayak and foot travel, and EAFS visitors were ferried about on our shuttle buses to various points encouraging new ways of experiencing our Lands.

This is what they found.

EAFS 15 was created and co-produced by The Stove Network and Wide Open working with the amazing Robbie Coleman and the  EAFS recharge team, with additional support from Spring Fling.

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News Project Updates

EAFS – People

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The Environmental Art Festival Scotland 2015 – an international biennial of contemporary art practice in the landscape – went offgrid into the wilds of the Lowther Hills (South West Scotland), a two day festival based at Morton Castle near Thornhill. EAFS 2015 explored themes of generosity and hospitality, journeys and migrations, and foolishness and playfulness as a means of understanding the world – through a weekend of art installations and experiments, walks, talks, performances and campfire discussions.

EAFS was a point of gathering, meeting and discussion in the open air, with walks and adventures out into the landscape, in the evenings visitors returned to the festival site to exchange new discoveries made during the days explorations, and to gather around the EAFS campfires to discuss everything from navigating new futures to death and the unknown, tracing local water courses  to challenging new ways to tackle global climate change.

EAFS 15 was created and co-produced by The Stove Network and Wide Open working with the amazing Robbie Coleman and the  EAFS recharge team, with additional support from Spring Fling.

Categories
News Project Updates

EAFS – Adventures

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The Environmental Art Festival Scotland 2015 – an international biennial of contemporary art practice in the landscape – went offgrid into the wilds of the Lowther Hills (South West Scotland), a two day festival based at Morton Castle near Thornhill. EAFS 2015 explored themes of generosity and hospitality, journeys and migrations, and foolishness and playfulness as a means of understanding the world – through a weekend of art installations and experiments, walks, talks, performances and campfire discussions.

EAFS 15 was created and co-produced by The Stove Network and Wide Open working with the amazing Robbie Coleman and the  EAFS recharge team, with additional support from Spring Fling.

Categories
News Project Updates

EAFS – Discussions

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The Environmental Art Festival Scotland 2015 – an international biennial of contemporary art practice in the landscape – went offgrid into the wilds of the Lowther Hills, a two day festival based at Morton Castle near Thornhill. EAFS 2015 explored themes of generosity and hospitality, journeys and migrations, and foolishness and playfulness as a means of understanding the world – through a weekend of art installations and experiments, walks, talks, performances and campfire discussions.

EAFS was a point of gathering, meeting and discussion in the open air, with walks and adventures out into the landscape, in the evenings visitors returned to the festival site to exchange new discoveries made during the days explorations, and to gather around the EAFS campfires to discuss everything from navigating new futures to death and the unknown, tracing local water courses  to challenging new ways to tackle global climate change.

EAFS 15 was created and co-produced by The Stove Network and Wide Open working with the amazing Robbie Coleman and the  EAFS recharge team, with additional support from Spring Fling.

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