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Musings Project Updates

Creative Spaces takes Bristol

During January, the Creative Spaces team took a trip to Bristol on their final ‘go-see’ trip of the year. The purpose of this trip was to meet with representatives from a variety of creative and cultural organisations in Bristol, particularly those that work with young and emerging creatives. The following article is a round up of their time in Bristol and reflections from the trip.

Korey

Meeting with Rising in Bristol – Watershed Venue

Rising is a Community Interest company and non-profit creative agency. They strive to cater/influence/support young creatives and artists under 30 within the city. With a fundamental goal to make creative facilities more accessible and lucrative for artists, Rising shares a lot of similarities with the Stove Network. The Creative Spaces team had a fun, light hearted conversation with members from the Rising team – Jess, Syd and Euella in their part time workspace – Watershed. We found ourselves relating to each being in a company whose focus is to bring young people in the community to a creative space to socialise, learn and interact.

Being from a smaller town I naturally assumed that Rising had a bigger issue on their hands since their operation was based in the big city. But their obstacles were more or less the same, especially concerning outreach and engagement. It was comforting to know that a city wide organisation doesn’t automatically guarantee anything in terms of the engagement numbers or the progress of development in the relative local creative sector. One thing we bonded on was the phenomena known to Rising as “The Returners”- young creatives who leave for university with the intention of staying away to then return with the desire to change or make a difference in their hometown. The Rising team we met were impressed and inquisitive about the Stove Network and Dumfries and Galloway’s creative output and compared their format with the Stove’s. Rising has what they like to call “Pollinators”, who are creative mentors/tutor/instructors who pollinate the city . The details of the Creative Spaces programme definitely left an impression on them as they were actively taking notes. To go to a meeting such as this was an eyeopener because I almost thought of us (being representatives for The Stove Network) were going to be asking all the questions and looking to them for advice but, instead it was a completely mutual experience where each team got an equal share of useful information and a compulsion to work together at some point.

One aspect of Risings’ format that sparked our interest was their membership system that recruits once a year. We took personal interest in their approach to engaging with their members – having one-to-one mentorship meetings with a member of the Rising staff, invites to exclusive events, and access to Risings own and partnered paid opportunities, most of which would be detailed in their weekly newsletter for members.

Then we wandered over to the Aardman studio building where Martha was scheduled to meet Peter Lord. The rest of us sat blissfully in the lobby where there was so much to look at and admire, such as a genuine Oscar award for Wallace and Gromit: Curse of the Were Rabbit, along with Baftas, Models and figures from Aardman films, and books filled with sketches and rough drafts of storyboards and character designs. The building was very inviting inside and looked like a brilliant place to punch in and out of each day. It was inspiring to think that real people were involved in these very real jobs inside this building and that it’s not in some distant Hollyweird land that appears to be a closed club.

Martha

Aardman Studios Tour

On our first morning, Mia gave me the very exciting news that Peter Lord of Aardman Studios may potentially be able to speak to me as I have an interest in working in Film & TV. I tried not to get my hopes up as he has an incredibly busy schedule… but after staring at my phone all day, I received a call!

We checked out nearby Spike Island as we patiently waited for 4pm to stroll over to Aardman Studio. The lobby was like a mini exhibition in and of itself, with a giant Shaun the Sheep model, a cabinet displaying an Oscar and Bafta trophies, and cartoon office props at the reception desk.

Having a personal tour of the game design office, the various animation studios and even some hot sets by Peter Lord himself was surreal. I was shocked to learn that animators are essentially actors who carefully manipulate the limbs of clay models in response to recordings by the voice actors. I was also shocked to see how many cameras are on set – something that is required to ensure each frame is shot from two positions for 3D productions.

Each location was bursting with memorabilia and original props from sets I grew up watching and confirmed how much I wanted to be part of this world. I had the chance to pick the brains of veteran animators and modellers and discuss everything from their typical day, to the way work processes were being affected by new technologies and AI.

It was particularly refreshing to see how hands on the work is at the studio despite how large scale the productions are. Learning that the analogue methods of stop-motion animation could not be replicated by CG work made me optimistic that the hands-on creative process that drew me to the industry will hopefully be protected.

Sahar

Arnolfini Arts Centre

On the Friday, we went to check out Arnolfini, an international centre of contemporary arts located on the picturesque harbourside. We started off by looking around the exhibition they had on, ‘Eregata’ by Ethiopian artist Elias Sime. There was a vast installation of ceramics and a lot of his art incorporated found objects, electrical parts and discarded wires woven into large tapestries and 3D sculptures.

Martha and I  then joined in with a weekly Women’s Craft Club held at Arnolfini in partnership with Bristol Refugee Festival. We enjoyed a chilled out time making jewellery with women from lots of different backgrounds, each absorbed in their own craft project.

The team then met with Keiko Higashi, Head of Engagement, in the cafe at Arnolfini and talked about what we get up to at The Stove. It was great to see the strengths of the Creative Spaces program through her eyes and be able to discuss different strategies on a level pegging with someone who had so much professional experience.

She shared a bit with us about what she does in her role and the history of the building. She talked about the challenge she is currently working on – diversifying their exhibitions. They have a huge amount of foot traffic in the building but their actual engagement is much less when you discount people coming in to use the cafe/toilets as not everyone is there to interact with the exhibition. It was really interesting to hear about challenges from her perspective of having a huge building in the middle of the hustle and bustle of a city centre, and it made me reflect on the similarities and differences with our reality at home.

After our morning at the art centre, we went to the nearby Bristol Old Vic, which is the English speaking world’s oldest continuously working theatre. They had an fun interactive exhibition on sound design for theatre, Foley art, and the use of analog tools in theatre to create gunshots and other sound effects. I liked the way they designed the exhibition, with interactive displays, buttons on the wall you could press to hear audio recordings of actors doing vocal warm ups, and machines you could use to make rain and thunder sounds. It made it feel like we were backstage designing the sound effects for a show!

In our free time we walked around St Nicholas market, saw a bit of street art, and walked to Millennium Square for a Wallace & Gromit themed escape room, ‘The Great Escape’. We also got to visit a cool area of Bristol called Stokes Croft and sat in The Canteen, a venue that has free live music and locally sourced vegan food.

Last Day

We did a heritage walk around the streets of Bristol city centre, viewing some of the iconic street art, graffiti and murals, and stopping in to see the cathedral and the historic Bristol Central Library. We visited a board game cafe on the Christmas Steps for some inspiration for the Vennel, and finished off our trip by touring some charity shops and the Bristol Museum.

On reflection, visiting Bristol was inspiring and motivating as we were each left with a positive sense of envy. To bring what a place like Bristol has to Dumfries feels achievable. It was great to see positive spaces being held for young creatives to connect with each other. With a renewed motivation from our trip, we feel we can bring more vibrancy and youth-led creativity to our town.

By our 23/24 Creative Spaces Team Korey, Martha & Sahar.

The 2024 Creative Spaces Showcase is taking place on the 28th of March! Keep an eye on the CS socials for updates.

Learn more about Creative Spaces here.

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Musings

Festive Wishes from The Team

Illustrated by Jamie Stryker

As we get closer to the end of 2023, we want to say a big ‘thank you’ to all of you, our customers, communities, friends, advocates, and colleagues for the support and dedication you’ve given us over the last 12 months.

Thanks to your support and that of our funders, partners and dedicated team, The Stove has been able to support people, both locally and across the region, to work in the creative sector, participate in creative activity and develop new community-led initiatives and enterprises.

You lot are awesome!

We want to wish everyone a wonderful holiday, however you choose to spend it, and all the very best for 2024 – We look forward to welcoming you back to The Stove in the New Year.

The Stove Office and Stove Cafe will closed from 3pm Friday 22nd Dec, and reopen on Tuesday 9th January at 9am.

From all at The Stove, we wish you a happy festive season.

Categories
Musings News Project Updates

Championing the Economic Impact of Culture

Kirstin McEwan

On the 19th December 2023, the Scottish Government published its action plan, detailing the delivery methodology of its Culture Strategy for Scotland, originally published in 2020.

This Action Plan, developed in collaboration with the Culture Sector, sets out the next steps the Scottish Government will take to support the development of culture in Scotland.

Roundtable consultations sessions were initiated in 2022, one of which was held in Dumfries in January 2023 and attended by the Cabinet Secretary for the Constitution, Europe, External Affairs and Culture, Scottish Government Culture Officials, and colleagues from across the Culture Sector, including Dumfries-based arts and community organisation, The Stove Network. These sessions looked at how cultural and creative organisations, can work with both Government and public bodies to effect positive change, locally, regionally, and nationally.

With a focus on resilience and three key pillars: Strengthening Culture, transforming through Culture, and Empowering through Culture, the action plan outlines the Scottish Government’s route to delivering their ambitious Culture Strategy.

At the round table consultation in Dumfries, The Stove was able to share with the Cabinet Secretary innovative cross-sector working in Dumfries and Galloway that uses cultural projects to empower people to change things within their own communities. An example being the way Dumfries and Galloway are working with the cultural sector to connect people on the ground meaningfully to strategic economic investment.

The Stove’s work, through What We Do Now (WWDN), a unique and ground-breaking initiative that supports a creative placemaking network within Dumfries & Galloway, working with artists, communities, and organisations, is highlighted alongside other examples, within the action plan’s second chapter, “Strengthening Culture”.

Extract from the action plan:

“Champion the economic impact of culture, in particular within the context of community wealth building and creative placemaking….

… The Scottish Government has embraced the internationally recognised Community Wealth Building approach to economic development as a key tool to transform our local and regional economies…

… harnessing local economic opportunities to address a range of challenges linked to addressing depopulation, regardless of whether affected communities are found in rural and island areas, or urban….

… There is a clear link with the principle of creative placemaking, which we know has tangible benefits for communities. For example, The Stove Network’s work across the south of Scotland, funded by the Scottish Government via the Culture Collective project ‘What We Do Now’, connects artists and community organisations to co-develop creative plans for the future of local places. We will learn from the outputs of this work and consider ways of scaling up the approaches taken.

“To see creative placemaking championed within the Scottish Government’s action plan for delivering the national culture strategy is fantastic. What We Do Now in Dumfries and Galloway is just one example of a very exciting strand of practice that is emerging across Scotland to place creativity at the heart of community-led change.”

Katharine Wheeler, Lead for WWDN

The full Culture Strategy for Scotland: Action Plan can be read here

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Musings News

The Stove Goes to Parliament

The Stove is showcased as a leading example of how art and cultural activities can lead change, for and with the local community.

Colin Smyth MSP for South Scotland addresses the crucial role the culture sector plays in our local communities in Parliamentary debate, and spotlights Dumfries based organisation, The Stove Network along with Lift D&G and Midsteeple Quarter as examples of where Art and Cultural activities work to support communities.

Dumfries Town Centre
Lift D&G
Midsteeple Quarter

“…The Stove have used arts and cultural activities to bring together diverse communities to drive positive placed-based solutions to the challenges people care about, for example, the future of their town centre. Using arts and culture, not as an end in itself, but as a means to deliver a wellbeing economy.”

Colin Smyth MSP
Dumfries Fountain
Guid Nychburris / MOP
Back 2 Back

“The Stove is honoured to be highlighted in this way in Holyrood. The ‘Culture in Communities’ report by the Constitution, External Affairs and Culture Committee of the parliament is an important examination of the deep value of participating in culture in communities throughout Scotland. The recent and very welcome announcement, by Scottish Govt, of increased funding for culture is an opportunity to look more deeply into the recommendations of the report and make an innovative shift in the way we support culture in Scotland with dedicated funding for participation in culture, in a similar way to how we fund participation in sport for its health benefits.”

Matt Baker, CEO of The Stove Network

As the Scottish Government builds a budget for culture, Colin Smyth urges; “… we need to better recognise the wider role of culture in delivering that wellbeing economy… by better ring-fencing funding streams for community participation.”

Watch Colin Smyth’s speech here:

Matt Baker addresses the topic of participation in culture and the issues surrounding the current funding model for culture in his blog “A Culture of Participation aka Growing Our Own Culture” published in April 2023.

In the blog Matt discusses the need to review the current role culture plays in supporting communities and suggests a new approach – Participation in Culture Initiative Framework, which could include a percentage for culture across government departments, accountability/collaboration across departments in implementation of participation in culture, regional/place-based approach to implementation and Innovation in funding models.

Read the full blog here

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Musings News Project Updates

Creative Spaces – Laurieknowe Workshops

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In the run-up to Wild Goose Festival 2023, the Creative Spaces team worked with pupils from Laurieknowe Primary School to deliver a series of creative workshops on the migration of Geese and their relevance to the region. We would first like to say a huge thank you to Laurieknowe’s P4 class and both teachers who were brilliant to work with!

Creative Spaces team talking to the Primary using a map

The first day Creative Spaces went into the primary school we were pretty nervous. We had a plan but were also prepared to be flexible as we didn’t know what to expect from the class. The P4s were really excited to see us and paid close attention as we introduced ourselves and showed them a short video about bird migration. When we asked them questions afterwards, they were all eager to put their hands up and show off their recall skills. We started to see their different personalities shine through and were reassured by the energy of the class – they were so ready to learn about geese! 

The next task was map-based. We put a big world map onto each of the 3 tables in the classroom and worked in groups to identify the places where the different species (Barnacle, Greenland White-Fronted, Light-Bellied Brent, and Pink Footed Geese) breed. The first challenge for the kids was spotting Scotland (it’s tiny!) and then understanding that the geese fly hundreds of miles to get here from Iceland, Greenland, Svalbard and Canada even though it’s only a few centimetres on the map. We gave them little card cutouts of geese that they could move around the map – some of the kids’ geese were much more interested in flying to Africa and South America than following their usual migration patterns. 

After learning a lot in the classroom about where the geese in Dumfries come from, when and why they come and go, and the challenges they face on their long journeys, we relocated to the hall for an active break. We had come up with a loose concept for a game, where we held up the flags for different countries that the kids had to ‘fly’ between. A few of them played different risks such as predators (foxes, eagles, badgers), wind turbines, bad weather etc. The ‘geese’ had to make it safely to their destination (Scottish flag) without being caught by a ‘risk’, otherwise they would join the obstacles in the middle of the hall. They had a blast with this active learning, amongst the noise and chaos, and enjoyed the challenge of running in V formations like the geese fly. 

Active Break to learn more about geese.

We then went back to the classroom for a drawing activity. Each child received a comic strip template designed by Korey and drew/coloured in the story of the wild geese migration. They were really impressed by Korey’s ability to draw a goose and were queuing up to get his help with it. This seemed to be the recurring theme of the day, with everyone asking Korey to tie their shoelaces as they left at 3 o’clock! It was an all-around successful afternoon, and we went home feeling very tired but encouraged. 

Before starting Day Two, the team were slightly daunted by the task of engaging the class for an entire day about geese and incorporating more research-based lessons. These nerves immediately disappeared when recapped what the class had learned from the previous session and realised how much they had remembered from only one afternoon. 

We decided to dedicate the morning to teaching the class about Goose habitats – what they need to nest and to protect themselves from various dangers. In groups, the kids designed beautiful three-dimensional habitats out of coloured paper and freestanding elements arranged inside shoeboxes. We then moved on to the computers so that the class could complete some further research and fill out their ‘Goose Facts’ booklets.

Colouring in geese cartoon strips

This helped the kids differentiate the different goose species that come to D&G and put all their findings in one place. Just before lunch, we switched things up and held a goose-making workshop where the kids had the choice of dressing our pre-made chicken wire geese in newspaper scraps or making miniature tinfoil geese. What was most impressive was watching the pools of PVA glue and mountains of newspaper scraps disappear and the classroom return to its previous state in a matter of minutes before the lunch bell. 

In the afternoon, we decided to put the kids’ learning to the test with a newsreader task complete with costumes. Finally, we brought in our goose expert extraordinaire Hagen Patterson, to answer all the questions the kids had come up with over the past two sessions. They loved having their burning questions answered and it was hilarious watching the Q&A go off track with a couple of questions (shout out to the pupil who asked which goose was the tastiest to eat). However, the highlight was definitely Hagen’s true-to-life goose calls which showed the class a fun, tangible example of the differences between the various geese species they were learning about. 

We felt a great sense of achievement after the second day as we achieved a better flow between the various lesson plans and felt genuine excitement from the class about geese migrating to our region.

A very magnificent goose!

On Thursday the 12th of October the Creative Spaces team headed into Laurieknowe Primary School for the final time. The class were just as excited to see us, and the feeling was mutual. During the third visit, the team felt more comfortable and at ease with the P4 class. The lessons were well received and as the kids had familiarized themselves with us, they were genuinely engaged, and the lesson continued at a good pace.

The lesson of the day was centred around Scots language and poetry with the theme of Geese. Mia grabbed the class’s attention immediately with a self-written Scots Poem about Geese visiting Dumfries. At this point, it was interesting to see which Scottish words the kids already knew or didn’t know. This was a great way to introduce some Scots Words to the pupils’ developing vocabulary.

So, using words provided (and explained) by us, and some useful goose facts, the children were then prompted to write their own poems. They did brilliantly and it was a great pleasure to help translate regular English words into Scots for the kids. That in particular was something they were all excited about, and even though it wasn’t mandatory, all the pupils stuck to writing about Geese.

The brilliant poems were available to view at the Wild Goose Festival Hub in the Lorebrune Centre during this year’s festival. Towards the end of the day, we also finished off our miniature goose sculptures with some coloured pens and got some great results, which were also displayed in the WGF Hub.

By the 2023 Creative Spaces Team.

Learn more about the Wild Goose Festival here.

Visit the Wild Goose Festival website here.

Categories
Musings News

Travelling Gallery Visits Dumfries & Galloway

Travelling Gallery, a contemporary art gallery in a bus in collaboration with The Stove Network, will be bringing its latest exhibition, Take Care, to Dumfries & Galloway this November.

The exhibition is a group show featuring artists such as Uma Breakdown, Gwenan Davies, Ellie Kyungran Heo, Laura Wilson, and Joy Baek, along with the Sculpture Placement Group. Take Care explores our relationship with non-human things that we care for in our often isolated society.

The artworks showcased in the exhibition explore a wide range of mediums and subjects. For instance, Laura Wilson‘s new video, “You would still almost expect to find it Warm”, focuses on the intimacy of baking, presenting fresh dough as a living organism that is alive with yeast. In contrast, Ellie Kyungran Heo‘s moving image work, Plantarians: appendix, delves into our care of house plants and questions “Why is it that we place a plant in a pot, constricting its ability to grow and occupy physical space?”.

Continuing our relationship with non-human things, artist Uma Breakdown presents their video game Animal Agency, the multi-layered click and point game invites the player to work with animal-like creatures to move between a number of rooms and spaces. Gwenan Davies’ paintings then explore our ‘in-between’ times as she observes the ritual and social function of the coffee break, turning a sea of abandoned coffee cups into a surreal landscape.

Artist Uma Breakdown has created a video game called Animal Agency, which continues the exploration of our relationship with non-human things. The game is a multi-layered click-and-point adventure, where the player works with animal-like creatures to move between a number of rooms and spaces. In addition, Gwenan Davies’ paintings capture our ‘in-between’ times by observing the ritual and social function of the coffee break. She turns a sea of abandoned coffee cups into a surreal landscape, creating a unique perspective on our daily routines.

Finally, Travelling Gallery is collaborating with Sculpture Placement Group (SPG) to exhibit the sculpture, Here, My waiting by Joy Baek, from their Loan scheme. The SPG Loan scheme works with artists to extend the life cycle of artworks that are currently in long-term storage, allowing people to care for and enjoy an artwork, often outside of a gallery context. 

Finally, Travelling Gallery is collaborating with Sculpture Placement Group (SPG) to showcase the sculpture titled “Here, My waiting” by Joy Baek, which has been borrowed from the SPG Loan scheme. This scheme aims to prolong the lifespan of artworks that are currently in long term storage. It enables people to appreciate and take care of the artwork, sometimes outside of a traditional gallery setting.

Graham Rooney, Operation Director at The Stove Network shared the following:

“We’re thrilled to be partnering with the travelling gallery on its tour of Dumfries & Galloway. Connecting people and places through creativity is fundamentally at the heart of what we aim to do here at The Stove, and this project is a fantastic example of where we can support access to the arts in an exciting and meaningful way.”  

Travelling Gallery will be visiting the following venues, in partnership with The Stove Network:

  • Wednesday 1st November – Outside Stranraer Library, North Strand Street (Supported by Creative Stranraer)
  • Thursday 2nd November – YMCA, Lochside Dumfries (Supported by LIFT D&G) 10 am – 4 pm
  • Friday 3rd November – The Lockerbie Old School, 10 am – 4 pm

The gallery is free to visit, and everyone is very welcome. 

As well as visiting Dumfries and Galloway, the Travelling Gallery has toured the following areas:

Stirling University, in partnership with Stirling University 

West Lothian College, in partnership with West Lothian College

North Ayrshire, in partnership with North Ayrshire Council 

East Ayrshire, in partnership with East Ayrshire Council 

South Ayrshire, in partnership with South Ayrshire Council

Inverclyde, in partnership with RIG Arts

VISIT THE TRAVELLING GALLERY WEBSITE FOR MORE DETAILS
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